What others say about Before the Leaves Fall

At the Zürich James Joyce Foundation event with Rafaël Newman in February 2026

In this post, I’m giving the floor to those who have been kind enough to write about my novel since publication day. These literary sommeliers genuinely love books. Their engagement is a safety net for authors and a fantastic resource for readers. If you follow them, you will be rewarded with great insights and recommendations.

The book reviewers and cultural voices in question are Linda Hill of Linda’s Book Bag, Cathy Brown of 746 Books, Susan Osborne of A Life in Books, Madame Bibliophile Recommends and Zürich-based Rafaël Newman.

The highest praise came from Linda’s Book Bag review. I’m amazed and extremely grateful for Linda’s generous review. “Before the Leaves Fall is magnificent. It’s one of those quiet books that permeates the reader’s soul and ensures an indelible impact. I adored it.”

“A book about a person – Margrit – deciding that they wish to die before the autumn, thereby avoiding yet another winter, perhaps sounds grim and unappealing. Before the Leaves Fall, however, is absolutely not depressing and miserable. Instead, it is a beautifully written insight into humanity, our flaws and the means to atone and come to terms with both ourselves and others. Not a single word is wasted in this exquisite narrative.”

And I was truly honoured by Cathy Brown’s review on 746 Books. Cathy runs several popular reading and reviewing initiatives on her blog such as Reading Ireland Month and Novellas in November.

“Clare O’Dea’s Before the Leaves Fall is one of those quietly affecting novels that seems modest on the surface but grows richer with every chapter. Like Voting Day, her debut, it shines a gentle light on the unnoticed corners of people’s lives, and although it’s not a direct sequel, it carries that same emotional intelligence and sense of humanity that made her debut so impressive and features one of the same characters, now at a later stage in her life.”

A Life in Books blog has been a fantastic source of recommendations for me over the years, which makes it all the more special that Susan has given Before the Leaves Fall her seal of approval in this review.

“This could very easily have become one of those issue-led novels with two-dimensional characters there to make a point but O’Dea neatly dodges that, exploring the complexities of both Ruedi and Margrit’s lives. The narrative alternates between the two, both engaging characters who change over the course of the summer. … I enjoyed this brief, moving and humane novella with its depiction of a choice made without duress, eased by an empathetic character who learns much from the experience of facilitating that choice.”

In her dual review of Before the Leaves Fall and Voting Day, Madame Bibliophile Recommends picked up on the gaps in communication within families, which so often leads to resentment and misunderstanding.

“Before the Leaves Fall follows the developing friendship between Margrit and Ruedi, as they both reflect on seemingly uneventful lives and how well these have been lived, as well as what living there is left to do. It’s deeply moving in its portrayal of how we hurt the ones we love and how insurmountable gaps in communication can seem.

As different relationships grow and develop through Before the Leaves Fall, they are evoked with compassion but without sentimentality.”

And finally, in his essay for 3 Quarks Daily, The Written Voice, Rafaël Newman finds special significance in Margrit’s own writings in the ‘life audit’ notebook gifted to her by Ruedi. Initially I had my doubts about this part of the storytelling but my editor was in favour of it. It did allow me to capture Margrit’s voice as vividly as possible.

“And as her initially cursory notes on the various decades of her life grow into something richer, as recollections of chance encounters become vignettes with a profound philosophical resonance, Margrit’s resolve is strengthened: not necessarily in the binary particulars of her decision—whether or not to end her life, which remains unknown until the novel’s conclusion—but in her assumption of a more generalized agency. An agency in which her own memory, her own will, and her own perspective are central.”

Rafaël Newman also analysed Voting Day in this essay about voting in Switzerland, and I’m very grateful to him for exploring the themes of my novels in such depth. All these contributions help rescue the work from potential oblivion and make the rewards outweigh the risks. If you’d like to support Before the Leaves Fall, I’d be happy to see more reviews on Amazon or Goodreads. Every mention and every star counts in keeping the book afloat.

I’d like to finish with one more paragraph from the 746 Books review: “Before the Leaves Fall ultimately becomes a story about acceptance and about facing the choices that we have made in life with a clear eye and an open heart. It is compassionate, finely observed, and deeply humane and a lovely companion to Voting Day.”

The story behind ‘Before the Leaves Fall’

In just a few days, Before the Leaves Fall will be available in Switzerland. Elsewhere, the launch date is October 23rd. Now that the book is so close to being in the hands of readers, I feel I can tell you more about it.

The first interview about the novel was published by newinzurich.com recently. I’m going to borrow a couple of answers from that interview to tell you some of the whys and wherefores of this standalone story, which is linked to my first novel, Voting Day.

First of all, you should know that this is a story about a person who has decided to end her life with the help of an assisted dying organisation. Even though it is a hopeful story about human connection, healing and self-determination, I do think that it might be upsetting for anyone currently too close to bereavement.

So why would I be drawn to such a sombre topic, and assisted dying in particular? Well, it might be partly to do with being middle-aged and seeing the different, often difficult but sometimes beautiful ways life comes to an end. Or as I said in the newinzurich interview:

“Assisted suicide is always in the air in Switzerland, whether it’s peripherally in news stories or through the direct experience of people you know. I’m interested in how it becomes a path for some but not for others, who may even be suffering more.”

Introducing Ruedi and Margrit

One of the conversations my two protagonists have is about what makes life worth living, or not. They are past any pretence and can speak honestly. So, who are these characters? Ruedi is a Swiss widower in his seventies living in Bern. He worked for the Swiss Federal Railways until he had to retire early to look after his sick wife. As a child, he spent time in care and he still feels shame about his origins. Ruedi is freshly trained in the role of facilitator for Depart, a fictional assisted dying organisation, and Margrit is his first client.

“Margrit is in her late eighties and has become quite contrary in old age. She has a strained relationship with her two sons and has lived a life of material comfort but ultimately failed to find meaning or satisfaction in her lot as a traditional wife and mother.  When the two characters realise their paths have crossed before, it sparks some new self-discovery for both of them.”

If you’re familiar with Voting Day, set in 1959 on the day Swiss men voted ‘no’ to granting women the vote, you will recognise these names. Ruedi was a foster child in that book and Margrit, a young woman struggling to maintain her independence, was kind to him.

There are a lot of authors who revisit characters from one book to the next. Jonathan Coe, whom I had the pleasure of interviewing this week in Geneva, has done it a lot, as has another of my favourite authors Elizabeth Strout. Donal Ryan recently released Heart, be at Peace, “a heartfelt, lyrical novel that can be read independently, or as a companion to his first book The Spinning Heart“. I like that way of phrasing the connection, and might borrow it, if Penguin Random House doesn’t mind.

A tale of two launches

For the Swiss contingent, I hope to see some of you at the launch next Thursday, October 9th at 8pm in Stauffacher Bookshop in Bern. There’s a link to sign up for the event (Anmeldung) but you can also turn up on the night and buy a ticket at the door (CHF 15). I’ll be in conversation with Helen Stubbs Pugin and the discussion, followed by signing and apéro, will be in English.

Irish friends, readers and country(wo)men are warmly invited to the Dublin launch at The Gutter Bookshop, Temple Bar on Thursday, October 23rd at 6.30pm. Sarah Moore Fitzgerald will be hosting that gathering and I can promise Swiss chocolate, just as we had for the launch of The Naked Swiss in the same venue in 2016.

I’m very grateful that my editor from Fairlight Books, Laura Shanahan, will be joining us for the Dublin launch. And the Irish Ambassador Aoife McGarry will say a few words of welcome at the Swiss launch.

If you can’t make it to either of those countries on either of those dates, you can really help the visibility of Before the Leaves Fall by ordering it already at your local bookshop or online, and by spreading the word. Part of me is nervous about what reception this book will have but I wouldn’t be taking the leap if I didn’t trust that some readers will find truth in it and new things to think about.

Summer reading, autumn happenings (save the date!)

Two high points of my childhood summers were berry picking and wild swimming. Those two free pleasures are still part of my life, and I managed to do both today – pick blackberries in the forest and go for a dip in my local river. With a good book thrown in, the perfect Sunday.

I’ve read more than usual this summer, helped by the fact that I have access to an endless supply of books at my day job working for a book distributor. I’ve just finished The Paris Express by Emma Donoghue, a real page-turner about a train hurtling towards disaster in 1895.

The novel is based on the true story of a derailment and, to create her characters, Emma Donoghue used the biographies of real people who were either on the train or could well have been. She says she drew on more than 40 articles about the accident in 26 publications. To find out more about the individual lives, especially uncelebrated ones, she “ransacked the wonderful hoard of French bureaucracy filae.com”.  The result of all this – apart from a gripping, richly-imagined story – is that you find out what became of the main characters in later life.  

Recent favourite reads include Tell Me What I Am by Una Mannion, Shy Creatures by Clare Chambers, Love is Blind by William Boyd, Audition by Katie Kitamura and the unforgettable Clear by Carys Davies.

Meanwhile preparations for the publication of my new novel Before the Leaves Fall are continuing and it’s time to save the date(s)! The Swiss launch of the book will take place in Stauffacher Bookshop in Bern on Thursday, October 9th at 8pm. The event is being generously sponsored by the Irish Embassy. Full details at this link.

Two weeks later in Dublin, the Gutter Bookshop in Cow’s Lane will host the Irish launch on Thursday, October 23rd, time tbc. All are welcome. I’m extremely grateful to both bookshops, who have a great record in supporting authors.

In between, I’ll be at the Frankfurt Book Fair for work and will hopefully steal a moment to present my book to Literature Ireland, which publishes a catalogue of translation-worthy new Irish fiction titles. I’d love to see the book translated into the Swiss languages as Voting Day was.

Before all that, September has some literary treats in store. I’ll be attending the annual Le livre sur les quais festival in Morges on the weekend of September 5th-7th. The full English programme has been published and it includes Natasha Brown, Alan Hollinghurst, Caroline Bishop, Mark O’Connell, Claire Massud and more. I’m very pleased to be interviewing Padraig Rooney about his biography of Annemarie Schwarzenbach, one of the most interesting Swiss women of the 20th century. That event is at 1pm on Saturday 6th in Hotel La Couronne.

At the end of September, the wonderful Jonathan Coe is coming to Geneva as a guest of the Société de Lecture. I will be interviewing him in the elegant salon jaune on Monday, September 29th. There’s lots to talk about in his latest cleverly-plotted, satirical, dark-yet-funny novel, The Proof of My Innocence.

With all that hopping around, I hope I get to see some of you over the next couple of months. For now, let’s enjoy this summer feeling and any good books we find along the way.

Before the Leaves Fall gets a botanical cover

Cover design by Becky Fish

One of the milestones of publishing a book is the moment when the cover design is revealed. I’m delighted to share the cover of Before the Leaves Fall with you today, along with the first endorsements the novel has received from authors Liz Nugent, Annie Lyons, Anne Griffin and Martina Devlin.

These amazing authors all gave their support unstintingly and I appreciate their generosity hugely. So here are the quotes, which I hope will whet your appetite for October.

‘This is a beautifully written study of Ruedi and Margrit, loosely connected by their past, bonding over a life changing decision causing both parties to reflect on their lives and relationships without sentimentality. The short length of the novel lends itself perfectly to the life expectancy of Margrit. Profoundly moving, I loved this book.’ — Liz Nugent, author of Strange Sally Diamond

‘A beautifully written story of unlikely friendship and the choices we face as we reach the end of our lives. Profound, poignant and refreshingly honest, this is very much a novel for our times.’ — Annie Lyons, author of The Brilliant Life of Eudora Honeysette 

Before The Leaves Fall once again shows O’Dea as a competent writer, unafraid to examine the relevant and vital issues of ordinary lives in Switzerland. The power of self-determination shines through in this touching read.’ — Anne Griffin, author of The Island of Longing

‘A poignant account of the lost boy trapped inside an old man, and his chance reconnection with a woman who touched his life when hers is almost played out. Told with compassion, wisdom and insight, it considers how death can offer a new perspective on life. It stayed with me long after I reached the end.’ — Martina Devlinauthor of The House Where It Happened and Charlotte.

This evening I sent off my feedback on the proofreader’s changes, which basically involved me agreeing with everything she marked up, bowing to her superior knowledge about hyphenation and the difference between ‘on to’ and ‘onto’. The next time I see the manuscript will be between the covers of a printed book! If you’re stuck for reading material in the meantime, have a look at the websites of the four talented writers above and take your pick.

I can’t wait for October. But I also want to enjoy this time before, when I can dream big about the book, hoping that it gets widely read and positively received, and that people understand – as Liz, Annie, Anne and Martina have done – that it comes from a good place.