I’ve just returned from an exhilarating weekend at the Geneva Writers Conference and I know I’ll be sifting through all those impressions and key pieces of information and advice for months to come. For now, I’d like to post this magpie-style round-up of some of the inspiring ideas and people from the workshops and panel discussions I attended.
The wonderful English novelist and short story writer Tessa Hadley gave a workshop on Beginnings. One of my favourite short story collections is Married Love by Hadley so I was particularly keen to hear her speak. I can only describe her teaching style as joyful. The students in her creative writing class at Bath Spa University College are very lucky.
On the subject of beginnings, Hadley said: “There’s probably no rule for beginning a book except one: it should begin with force.”
I was paying particularly close attention because I am currently working on the opening of my book about Switzerland. The challenge is to make the opening lines “intelligent, odd or interesting”, Hadley said, so that the reader will want to spend time with you and see how the puzzle unfolds.
With revising, Hadley said we have to be able to approach the text with fresh eyes, as if reading it for the first time. “One of the most important skills of being a writer is to learn to be your own reader.”
The non-fiction author Andrea Stuart made some observations that really struck a chord with me. She spoke about the sense of loss that comes with the end of a project when you realise it is not going to be the dream masterpiece that you imagined. This is what makes letting go difficult.
“We have to accept the limitations of what we can do gracefully,” she said. And learn from it, go on to do better.
“We all have passion and uncertainty we’re trying to work through, and we resent it but it is essential,” Stuart said.
The Barbadian-British writer described the confidence that she has drawn from her writing, which includes a biography of Josephine Bonaparte (The Rose of Martinique) and Showgirls, a collective biography of female performers throughout history to the present day. Her 2012 book Sugar in the Blood: A Family’s Story of Slavery and Empire gave her a great sense of pride. “It bolstered me, made me feel I could intercede in debates about British life.”
Hearing directly from two inspirational writers in one weekend would have been amazing enough but there were many other excellent speakers. Publishing consultant Jane Friedman patiently and skilfully explained what authors need to know about their online presence. Her website provides a wealth of information on navigating the industry and making smart decisions in the digital age.
The final inspiring speaker I’d like to mention is JJ Marsh, a Zurich-based crime writer who co-founded a writers’ collective called Triskele Books. The five Triskele writers are based in three different countries but they pool their skills and energy to publish their books independently.
Among the challenges authors face, Marsh said, is the fact that writing is a solitary occupation. But there is great support to be found, even if you need to start a writers’ group yourself. Marsh mentioned various associations and groups and said it’s a question of figuring out where you belong. Her full talk on community, networking and resources, with lots of helpful links, is here.
There was an amazing friendly atmosphere at the conference, probably because everyone was so delighted to be let out to play at last. A big thank you to the organisers from the Geneva Writers’ Group whose hard work gave us all such a positive experience. Now for that forceful beginning …
(photo credit: cowboy54 @ freedigitalphotos.net)
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