Every day is Mother’s Day

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I’m wary of making too much of a public fuss of mothers on Mother’s Day. At the hairdressers on Saturday they were giving out red roses to the mothers who came in to have their hair done. They do the same thing in restaurants in Switzerland. Even the woman on the Scientology stand ran after me in the street to give me a rose.

Ten years ago, when I was feeling very low after a miscarriage and the only non-mother at a family gathering, I was handed a flower in a restaurant on Mother’s Day and it nearly killed me. I didn’t know that I would be the mother of twins within a year. All I knew was that the whole country had chosen that day to lean on my pain and that carrying that flower home was a torment.

I know mothers do an important job and should be appreciated for that but, for all the drudgery involved, it is a job with substantial built-in rewards; let’s not forget we are looking after our own children, hardly the most selfless task in the world.

Why not make next Sunday University Graduate Day? A day when graduates can feel special and be rewarded for their, ahem, years of hard work. When I was a child, I sometimes complained that children were short changed. Why was there no such thing as Children’s Day? I would protest. My mother, annoyingly but quite rightly, just laughed and told me that every day was Children’s Day.

I’m not giving back the beautiful homemade cards and presents my children surprised me with on Sunday. Their excitement and pride in doing something thoughtful for me is also mine to cherish. But I don’t need public praise and congratulations on top of that. Besides, the significance of motherhood has nothing to do with a mass-produced flower.

Instead of trying to write something meaningful and original about motherhood, I’m going to leave you with this passage from The Hand That First Held Mine by Maggie O’Farrell, set in the 1960s and written in the voice of Lexie, journalist and mother of baby Theo.

To distract herself, as ever, she worked. The women we become after children, she typed, then stopped to adjust the angle of the paper. She glanced at the paintings, almost without seeing them, the cocked her head to listen for Theo. Nothing. Silence, the freighted silence of sleep. She turned back to the typewriter, to the sentence she had written.

We change shape, she continued, we buy low-heeled shoes, we cut off our long hair. We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, perspective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and – look! – they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch the knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live. We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean only clothes to the back of the wardrobe. Eventually, we throw them away. We school ourselves to stop saying ‘shit’ and ‘damn’ and learn to say ‘my goodness’ and ‘heavens above’. We give up smoking, we colour our hair, we search the vistas of parks, swimming pools, libraries, cafés, for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their make-up, their tight-seamed dresses, their tiny handbags, their smooth, washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.