Hot House Novel Part II

November rose
November rose

Seventeen thousand words in eighteen days. I’m pretty happy with the result of my October writing challenge. I didn’t manage to get to the end of the first draft but at least the end is now in sight.

In case you missed the previous post about this, I had half a children’s novel on my hands that I couldn’t seem to finish. Inspired by the NaNoWriMo (National Novel Writing Month) buzz on Twitter, I decided to tackle the problem with an intensive burst of writing, ahead of the November pack.

There was a small lull in the middle when I went to Germany for the weekend and discovered that my two-prong Swiss plug would not fit into the three-prong German socket. That was the end of writing on the laptop so I tried writing longhand and produced a rather scribbled chapter.

Lots of writers swear by this method, especially for first drafts, but I couldn’t wait to get back to the keyboard where the words stand out crisp and even on the screen and you have the magic of deleting.

All being well I’ll finish the first draft this week and move on to other things.

I never do any correcting or revising while in the process of writing. Let’s say I write a thing out any old way, and then, after it’s cooled off—I let it rest for a while, a month or two maybe—I see it with a fresh eye. Then I have a wonderful time of it. I just go to work on it with the ax. But not always. Sometimes it comes out almost like I wanted it.

That’s a quote from Henry Miller taken from a 1961 interview in The Paris Review, which I came across during the week. While I had to raise an eyebrow at Miller referring to “the writer” by definition as a man, I did find his thoughts on our lack of moral code interesting. At a time when Europe is turning a blind eye, or worse, to distressed refugees at its borders, his words seem to sum things up perfectly.

You see, civilized peoples don’t live according to moral codes or principles of any kind. We speak about them, we pay lip service to them, but nobody believes in them. Nobody practices these rules, they have no place in our lives.

On the subject of refugees, this is the best piece of journalism I’ve read about the crisis so far, by AA Gill. Simply devastating.

Above is a picture of a rose taken yesterday. It cheered me to see something beautiful surviving in a hostile environment – a bit like the kindness being shown by some individuals in Europe.

Hot House Novel

© africa, freedigitalphotos.net
© africa, freedigitalphotos.net

Some manuscripts need the hot house treatment. My second novel is a prime candidate. I’ve taken the usual slowly-but-surely approach on this book but somewhere along the line the story stopped growing. Now I want to try writing fast.

Today I came across some great advice on writing fast from author Kelly Creighton. The advantage of rapidly firing the words onto the page is that the subconscious takes over, Creighton says. You are less likely to have plot holes because you are immersed in the story. I’ve experienced this flow in the past and now I’d like to try to tap into ‘the force’ again.

Creighton’s advice is prompted by the upcoming annual writing challenge NaNoWriMo – National Novel Writing Month – in which participants worldwide try to write a complete novel from scratch in the month of November, fueled by massive solidarity on social media.

I’ve set myself an October deadline, linked to a competition. I started the year with a modicum of competition success when my first novel was longlisted for the Exeter Novel Prize. That hasn’t translated into a breakthrough on the submissions front but I have had some encouraging responses. The latest news on that novel is that I have handed it over to a professional editing service. The book still raises too many questions for me and I’m hoping to get some answers from this edit.

In the meantime, the second novel can have its moment. I wrote the opening to the book two years ago during an extended visit to Dublin and the word count has crept up in increments since then. I’m happy with the ‘big idea’ behind this children’s novel, which grew from a rather sinister radio play I wrote. I believe it satisfies the “interesting, unique and universal” criteria, and I hope readers will one day feel the same.

Because I keep letting other writing commitments get in the way, I’ve come to the conclusion that forced productivity is the only way for this story. By hook or by crook I will finish the first draft this month. That means writing every day but I should be doing that anyway. I’m off to flying start and hope to be able to type THE END at the end of the month.

These kinds of against-the-clock challenges are only meant to help writers achieve a first draft, and anything written at speed is likely to need a lot of reworking. No matter. I’d rather be reworking a rough first draft than have an unfinished manuscript humming ‘you don’t send me flowers anymore’ in my head.

The final words of inspiration come from Kelly Creighton, debut author of the psychological thriller The Bones of It: “In writing, nothing is ever a waste of your time.”

Is anyone considering taking part in NaNoWriMo?

What was your most productive writing time?