Bringing the Irish saints and scholars back to Switzerland

St Columbanus, neo-gothic mural in the church of St Pierre-le-Jeune, Strasbourg

The historical connections between Ireland and Switzerland run deep. Both countries share a Celtic past, and Switzerland (Confoederatio Helvetica) is even named after a Celtic tribe – the Helvetii – that once called these lands home.

The most legendary phase of Swiss-Irish connection was in medieval times when Irish monks travelled across the Continent after the fall of the Roman Empire, bringing learning to the peoples of Europe.

This era of saints and scholars is the subject of a pop-up exhibition taking place in Centre le Phénix, Fribourg this Friday, March 15th, from 2pm to 6pm. The exhibition is organised by the Irish Festival Fribourg/Freiburg as part of Ireland Week celebrations in Switzerland in the lead-up to St. Patrick’s Day.

Trailblazers

“Ireland and the Birth of Europe” exhibition tells the story of the long-lasting Irish presence in Europe, from Columbanus and his followers in the 6th and 7th centuries, up to the Irish-founded monasteries called Schottenklöster, a movement that peaked in the 13th century.

Around the year 590, Columbanus left the Irish monastery of Bangor for the Continent, where he established a succession of monasteries: Annegray, Fontaine, and Luxeuil in the Vosges mountains, and Bobbio near Genoa. Over the centuries, the monks were followed by scholars, theologians, philosophers, and poets.

Around 600 CE, Columbanus wrote ‘of all of Europe’ (totius Europae), becoming the first to use the expression in reference to the Continent’s cultural identity.

One of the original Bangor group, St. Gall, reached the region of today’s city of St. Gallen around 612 CE, and established a small settlement there in the wilderness, which was later the site of the famous Abbey of St. Gall. The Abbey Library, to this day, holds some of the most important sources of Old Irish in existence.

The Priscian manuscript

The following is an extract from my book, The Naked Irish: Portrait of a Nation Beyond the Clichés:

“Is acher ingáith innocht fufuasna faireggae findḟolt ni ágor réimm mora minn dondláechraid lainn ua lothlind

‘Bitter is the wind tonight, it tosses the ocean’s white hair

I fear not the coursing of a clear sea by the fierce warriors from Lothlend’

These words in Old Irish run along the top of a page of a manuscript of Latin grammar dating from the ninth century, the Priscian manuscript of St. Gallen. Lothlind, land of the lakes, is an early form of the Irish word for Scandinavia, more specifically Norway. The fierce heroes kept at bay by the weather are Viking raiders.

The unknown scribe who wrote these lines lived in dangerous times. We don’t know exactly what scriptorium he worked in, but two possible locations are the monasteries of Bangor or Nendrum, in Co. Down, both of which suffered heavily under Viking attacks in the ninth and tenth centuries. The monks would have breathed easier on stormy days.  

I love the idea of the obedient monk faithfully transcribing page after page of intricate text for months or years, working for the community, for learning, for God. And then, one dreary day, he feels the urge to write something heartfelt and original. He throws caution to the wind and allows himself a brief moment of creative expression. That brief moment of inspiration survives more than a millennium.”

Traces of the past

“Ireland and the Birth of Europe” was researched, written and curated by Dr Damian Bracken, University College Cork, and Dr Angela Byrne for the Irish Department of Foreign Affairs. The exhibition is hosted by the Irish Festival Fribourg/Freiburg with the support of the Embassy of Ireland. 

The source of the translation above is http://www.stgallpriscian.ie/index.php?id=7056&an=1 with input from Kuno Meyer’s translation. I was amazed I could recognise some Old Irish words – like ‘tonight’, ‘sea’, ‘wind’, ‘warrior/hero’ – that are very similar in Modern Irish. Needless to say, a visit to Abbey of St. Gall is well worth the trek.

If you are on the trail of Switzerland’s Celtic past, the impressive Laténium museum and park on the Lake Neuchâtel is a good place to start. It has a wonderful collection of La Tène metalwork, pottery and jewellery, as well as objects from settlements as far back as the Palaeolithic Era.

The most amazing artefacts, I think, are words. I grew up in a place called Dún Laoghaire in Ireland. We have a lot of dun- placenames in Ireland, from the Irish word for ‘fortified place’.

But I didn’t realise that the -don placenames in Switzerland – like Yverdon – come from the same older, common Celtic word. The list goes on: Rhone, Brig, Winterthur, Solothurn are just a few of the many Swiss placenames derived from the original Celtic names.

If you can make it to Fribourg on Friday, the festival team will be glad to welcome you at Centre Le Phénix, and we’ll send you home with some Irish sweets. Enjoy your St. Patrick’s Day celebrations wherever you are. Beannachtaí na Féile Pádraig oraibh go léir!

(Photo above by Nick Thompson used under Creative Commons BY-NC-SA 2.0, from https://www.flickr.com/photos/pelegrino/3740029289/ )

Miscellany of book news for the new year

We’re running out of January days which is not necessarily a bad thing. But what I do like about January is that it holds the promise of a new start – a new year where we all get a second chance, or a 52nd chance in my case.

Until a few weeks ago, I had virtually no plans for 2024. Now, I’m glad to say, I have a few literary dates in the diary, and pop-up event in March connected to the Irish Festival Fribourg/Freiburg.

On February 14th, I’ll be interviewing Anne Eekhout about her book Mary and the Birth of Frankenstein. The event is taking place in the Société de Lecture in Geneva, and it should be popular with the locals, seeing as Mary Shelley started writing her iconic novel in that part of the world at the tender age of eighteen.

Interviews and history

When I was asked to do the Eekhout interview, I bought Miranda Seymour’s biography of Mary Shelley. I’ve been blown away by how daring and talented this 19th century woman was. Running away with a married poet at sixteen precipitated a life very much out of the ordinary but also plagued with loss. I’m still waiting for the Eekhout translation (from Dutch) to arrive. Tickets and more info on the event available here.

Also at the Société de Lecture, I will be interviewing Deborah Levy on May 29th. I’m a huge fan of Levy’s writing, especially her memoir trilogy. Really looking forward to both these conversations.  

My third literary interview of the first half of this year is with Bern-based Kim Hays whose third book, A Fondness for Truth is coming out in April. Kim is having her Swiss launch on June 13th in the Progr venue in Bern. Her Polizei Bern crime novels are cracking good reads, showing the murky side of Swiss life.

Then there is the event connected to the Irish Festival Fribourg/Freiburg. We haven’t got an exact date yet but it will be in the week of March 11th to 17th – Ireland Week. All being well, we’ll have a pop-up historical exhibition in Fribourg about Ireland’s early ties to the European Continent. Think saints and scholars. Details to follow soon.

Writing talk

As for my own writing, I’m still working on my second novel and hope to submit it soon. It’s a story about human connection, where we rejoin two of the characters from Voting Day whose paths cross again in the present day.

I’m also very pleased to have a memoir essay published in the Sunday Miscellany Anthology, edited by Sarah Binchy, which won Irish Book of the Year at the Irish Books Awards in November. It’s nice to have a tiny share of the glory (100+ contributors), even if it’s from a distance. My essay Northern Sky is about the time I went to Russia as a student in the early 1990s and met some Irish language enthusiasts there. You can listen to me reading the piece on radio here.

Speaking of radio, I will be interviewed on Dublin South FM on February 23rd. You can listen live to the programme Rhyme and Reason with Helen Dwyer or listen to the podcast after the show has aired. It’s a chat about books, life and Switzerland with some poetry and music.

Apart from the culture and books, I am carrying on with my regular freelance work and weighing up other options. One thing I’m looking at is possibly to train as a secular funeral celebrant in Switzerland. There’s a long story behind that, which I’ll tell another time.

Very best wishes for 2024! If you’ve any exciting plans or good news, do let me know in the comments.

The year in musuems

My idea of a perfect day out involves a visit to a museum. With ten museums in four countries visited in 2023, it’s been a pretty good year. When I remember a visit to a museum, I remember the person or people I spent that precious time with. I can recapture the mood of the day and the inspirational effect of the art or history.

Let’s start with tables. On a visit to Ireland in October, I visited three museums. One was Derrynane House on the beautiful Iveragh Peninsula in Co. Kerry. This is the house Daniel O’Connell inherited from his uncle, the place where he felt most at home throughout his life.

In this dining room, the Liberator would have spent many entertaining evenings with friends and family. Also in the house is O’Connell’s death bed, which was transported back from Genoa. By the way, there is a brilliant novel by Seamus Martin about O’Connell’s ill-fated final pilgrimage called Duggan’s Destiny.

The next table is from 14 Henrietta Street house, the once grand eighteenth century residence that ended up housing more than 100 people living in tenements. This table is from the flat of the last resident of the house who left in the 1970s.  

Another table that caught my eye was in the Kunstmuseum Basel. This 1916 painting by Marc Chagall is called Strawberries or Bella and Ida at the Table. I like Chagall but I didn’t know he painted peaceful family scenes.

Two cats

Also in Basel, I saw some of Giacometti’s works, including one of his rare animal sculptures, The Cat (1951). I once worked in a building on Giacomettistrasse in Bern, which is where I first heard the name, to be honest.

The other cat is the lynx which was successfully reintroduced into the wild in Switzerland about 50 years ago. This lynx is in Lugano Museo cantonale di storia naturale. We spent a couple of happy hours in there as a large family group on a rainy afternoon in July. Serious paws!

More paintings

I’m one of those annoying people who takes photos in museums but I really do like to look back on them and remember the artists and paintings. The photo at the top of the page was taken in the Rjiksmusuem in September. It was my first visit to Amsterdam and I fell in love with the city. The famous painting everyone wants to see in the photo is The Milkmaid by Vermeer. You could get an excellent view of most other paintings.

I can’t resist including another Basel painting here. Portrait of Bonifacius Amerbach by Hans Holbein was painted in 1519. More than 500 years old and the face looks like it could be someone you might know. Incredible.

And here is another lovely face from the Strasbourg Museum of Fine Arts, Virgin in Prayer (ca. 1640) by Gian Battista Sassoferrato. I travelled to Strasbourg in France by train in February to meet two old friends, who came from Germany and Belgium. Such a treat.

Sassoferatto was a new name to me and I was interested to learn that he specialised in depictions of the Virgin in Prayer, which were apparently all the rage in the 1600s.

Handwritten

The last two items are the least picturesque but they are fascinating. Only yesterday, I visited the historic Abbey Library in St. Gallen, which has a very important collection of Irish manuscripts dating from the seventh to ninth centuries.

In my book The Naked Irish, I quote some verse inscribed in the margins of the Priscian Manuscript (ca. 850) – to show the ancient roots of Irish writing. But this was actually my first time seeing the manuscript. This version of Priscian’s Latin Grammar was transcribed possibly in Co. Down, with lots of glosses (explanations), a third of which were in Old Irish. That makes it one of the key sources for the study of the language.

And the last exhibit is from Listen Now Again, a lovely little exhibition of Seamus Heaney’s life and work, running in the Bank of Ireland Culture and Heritage Centre on Westmoreland Street until the end of 2025. I opened my first bank account in this building as a student. It was originally home to the Parliament of Ireland before the Act of Union, the world’s first purpose-built bicameral parliament house. The building has been in the hands of the bank since 1803. But to get back to Seamus Heaney, this sample of the poet’s creative process is pretty amazing, don’t you think? Even Nobel Prize winners have to edit.

Observant readers will note that I’ve only mentioned eight museums so far. I also visited the Museum of Amsterdam, which covers the social and commercial history of the city. But my pics are hopeless. The same goes for Kilmainham Goal in Dublin, quite the gloomy tour, especially in the lashing rain, but very interesting.

What museums did you visit this year? Any recommendations for me? On my list for next year is the house on Lake Geneva designed by Le Corbusier, Villa “Le Lac”. It opens again in March and I’d love to go there on a warm day. We are knee deep in snow at the moment in Fribourg. So first, let’s enjoy the winter!

Festival time: when Ireland came to Fribourg

At the welcome desk in Equilibre (photo credit: Patrice Bechtiger Photography)

Exactly this time last week, the Irish festival in Fribourg was in full swing. I was in La Spirale Jazz Club enjoying an exhilarating performance by The Dixie Micks. At the end of the sold-out concert, I ended up on stage with fellow organisers Julie and Deirdre for a rendition of Whiskey in the Jar. I can’t remember the last time I was part of such a joyful gathering.

The day had started at the university building with a writing workshop, followed by two public lectures and an interview with John Boyne. Later, there were two more author events in Equilibre Theatre, and two films (A Date for Mad Mary and Redemption of a Rogue) before The Dixie Micks concert.

Before that, bright and early, I was standing at a bus stop with a sandwich board and a bunch of large cut-out arrows in bright orange card. Things got so busy on Sunday afternoon that I needed my bicycle to travel quickly between the The Celtic Cello concert set-up, the Welcome Desk at Equilibre Theatre and the Cinema Rex to announce the Irish-language film The Quiet Girl.

From the launch party on Friday afternoon to finally packing away the welcome desk on Sunday evening, I had seen friends, guests, volunteers and visitors happily take over the streets of Fribourg, secure in their welcome. In the 20 years I’ve lived here, it’s never felt more like home.

The Irish Festival Fribourg/Freiburg (IFF) has gradually taken over my life in the past year. Before the festival fades into a blur of indistinct moments in my memory, I want to get some highlights down in colour. I want to remember how amazing it was.

I hope you enjoy these photos, some taken by friends, some by our official photographers Rromir Imami and Patrice Bechtiger.

John Boyne signing books after his interview with Helen Stubbs Pugin (Photo credit: Rromir Imami)
The Celtic Cello performance in l’Hôpital des Bourgeois (Photo credit: Rromir Imami)
With Deirdre Coghlan (L), Julie Hunt (R) and The Dixie Micks (Photo credit: @seaagency1)
Padraig Rooney and Nuala O’Connor (Photo credit: Patrice Bechtiger Photography)

Captive audience at the lecture by Shane Walshe of the Swiss Centre of Irish Studies (Photo credit: Rromi Imami)
The writing workshop with Sarah Moore Fitzgerald (Photo credit: Rromir Imami)
Véronique Platschka of Tourism Ireland and Shane Walshe at the Welcome Desk (Photo credit: Patrice Bechtiger Photgraphy)

A week on, today, the festival team – temporarily scattered by illness and other work commitments – got together to review the weekend. The verdict: we couldn’t have asked for a better first edition of the festival, we expect to come back in 2025 (tbc) and we need time to tend to the neglected parts of our lives – in my case writing.

A thousand thanks to all who came to Fribourg for the festival, to the volunteers, our local partners, the guests of honour, the visitors and those who made the inaugural IFF possible through financial and practical support:

Loterie Romande, Tourism Ireland, l’Agglomération de Fribourg, l’Etat de Fribourg, Culture Ireland, Government of Ireland Emigrant Support Programme, Colm and Ella Kelleher, the Irish Embassy Berne, Max Geilinger Stiftung, IFI International, McGonigle Watches and the Swiss Centre of Irish Studies. 

Thoughts on twenty years in Switzerland

This day twenty years ago, I boarded a flight for Switzerland. Apart from my suitcase, all I had with me was my bicycle and a fold-up occasional table my grandmother had once given me. I had carried it from flatshare to flatshare and now I was carrying it with me to a new life in a new country.

Travelling light was what I did back then – in work, in love and in material things. A year earlier I had left a permanent job in The Irish Times, and my last short-term job in Dublin was producing a play for a small theatre company.

But I was ready for a steadier life, and that is what Switzerland had in store for me. My Swiss boyfriend became my husband. In our apartment in Fribourg, I finally cooked in my own kitchen with my own pots and pans. I got a job with the Swiss Broadcasting Corporation. Eventually we had three daughters and built a house together.

I look back over those years and cannot believe how much my life has changed, and how fortunate I have been. Workwise, I reclaimed my freedom after ten years in the same job. I started writing books. This autumn, I’m organising a festival of Irish culture in Fribourg, enjoyable work that reminds me of the theatre job two decades ago.

Even though I’m as integrated as a piece of bread dipped in fondue and I speak the local languages, I haven’t always found it easy to accept my destiny as an emigrant. I didn’t realise how much I would be leaving behind, and for how long.

Acceptance. I got there eventually. I believe I will live in Ireland again – one day. But it doesn’t matter that it’s not now. Right now, this Swiss life is full in the best possible way. Yesterday evening, I went for a beautiful sunset walk with my mother (my most faithful Irish visitor) and daughters. It made me glad, yet again, that I found this place and made it my home.

Above is a photo of me from 2003 in the Gúna Nua Theatre Company office in Dame Street. It was taken a few weeks before I left Dublin for good. If I told her the whole story now, I think she would be more than ready to fold up the table once again.  

Behind the scenes: the slow business of show business

The first quarter of the year is over and the Irish Festival Fribourg/Freiburg is taking shape. A lot has been accomplished since I last wrote about the festival in October. Even though there is plenty more to do, and it feels as if new tasks are added to the list daily, we are also seeing the first results of the winter’s work.

I’ve attended my fair share of cultural events over the years but only once before actually worked on the organisational side. That was in 2003, the last job I had before I left Ireland for good, when I worked as a producer for Gúna Nua theatre company. I’d forgotten how enjoyable and satisfying it is to make things happen! But, my God, where did that 20 years go?

The most important breakthrough this year was that the Agglomération de Fribourg, the equivalent of the city council, decided to back the festival. Without their support, other potential funders would automatically have said no.

We got the news on March 9th after sending in our 25-page application at the end of November with 13 supporting documents. More supporting documents were requested in January, including a contract with one of the venues. The project was discussed at three meetings before we finally got the good news. A champagne moment. 

Group effort

Having the support of the Irish Embassy, Tourism Ireland, Fribourg Tourism and the Irish Film Institute International helped make our case much stronger. There are still some funding decisions to come in and possibly more applications to send out. In the meantime, we are getting everything else lined up – the programme, the venues, the website, publicity, ticketing, volunteers, insurance, travel … the list goes on.

Now it’s as sure as sure can be: Ireland is coming to Fribourg for the weekend of 6-8 October. Save the date! We’ll be announcing the programme in June, which is suddenly around the corner. Just a note that I’m not using the royal we. I’m joined in the whole enterprise by two brilliant Fribourg women – Julie Hunt and Deirdre Coghlan. Follow the festival Facebook page to hear more about our progress.

Book anniversary

In other news, it’s a year since Voting Day was published by Fairlight Books, and two years since the Swiss edition came out. I’m visiting two Swiss schools in the next few weeks to talk to students who’ve studied the novel and I’ve been invited to a university in Poznań in Poland later this month for the same reason. I’m delighted the story is still making waves, and I love meeting readers of all ages.

On my own reading pile, I’ve been working my way through the excellent Wyndham-Banerjee series of crime novels, set in Calcutta in the 1920s. I was lucky enough to interview the author Abir Mukherjee at the Société de Lecture in Geneva last week. We were in the beautiful yellow room you see above. I don’t have photos of the event yet.

More reading tips

My standout read of the year so far is Haven by Emma Donoghue, an extraordinary, captivating story set in seventh-century Ireland, featuring three monks on a quest to found a monastery in the most inhospitable place possible – Skellig Michael off the coast of Kerry. It was amazing to be transported back that far in history. Donoghue must be one of the most accomplished writers of historical fiction working today. I can also highly recommend the film adaptation of her 2016 novel, The Wonder.

And there’s a treat in store for fans of Swiss crime fiction with the publication of the second title in the Polizei Bern series by Kim Hays this month. Sons and Brothers centres on the suspicious death of an eminent (but not very likeable) heart surgeon whose body is pulled from the Aare in Bern on a winter’s night. The investigation leads detectives Giuliana Linder and Renzo Donatelli back to the doctor’s childhood home in the Emmenthal region.

Time for me to wrap up and wish the readers of this blog a pleasant Easter break. This is birthday season in our home with three birthdays coming up next week, so my to-do list is taken over by presents, cakes and parties for the next while. A very welcome change.

Irish Festival coming to Fribourg/Freiburg in 2023

Fribourg aka Freiburg is one of the most charming places in Switzerland. A university town set in beautiful, rolling countryside, it’s 20 minutes from Bern and equidistant from the three biggest cities – Geneva, Zurich and Basel. It’s also an overlapping point where the country’s two main language groups meet.

What a perfect place to hold a festival of Irish culture, I hear you say. That’s what I thought! The Irish Festival Fribourg / Freiburg is in the calendar for October 2023. It’s going to be a celebration of Irish literature, cinema, theatre and music. I hope it will be enjoyed by the people of Fribourg and by visitors from far and wide.

The inspiration for the festival can be traced back to my visit to Listowel Writers’ Week in Co. Kerry in June. I saw that the organisers had achieved something really special, bringing the whole town to life and attracting the great and the good to a place that – I hope they don’t mind me saying – is relatively small and off the beaten track.

I’ve been similarly impressed by Le livre sur les quais festival in Morges, which I’ve attended every year since 2017. Occasions like this are precious to the artists and audiences and to the community. I can’t think of a better way to celebrate my 20 years of life as an Irish person in the town of Fribourg, than by building cultural ties between my two homes.

I will keep you updated on the festival as it takes shape. Some partners have already come on board, details to be announced. The first volunteers have begun working on the festival and we should be able to reveal the logo and unique name soon. It’s going to take a lot of work and we may have ups and downs, but, a year from today, the weekend festival should be in full swing.  

Will you be there?

Introducing Kim Hays, new author of Swiss crime fiction

Kim Hays at the launch of Pesticide in Bern (photo credit: Bettina Vollenweider Stucker)

There are lots of reasons why I would like to recommend the work of Swiss-American author Kim Hays. First, she writes great crime fiction, and if you like her debut novel Pesticide, there are more to follow soon in the Linder & Donatelli series. Second, her authentic, clever and gripping police procedurals are set in Bern, a city I know well. Third, she has served her time in the writing trenches and is now enjoying well-earned success. And, finally, she is my friend.

Kim’s heroine in the series is homicide detective Giuliana Linder, ably assisted by her younger colleague Renzo Donatelli. Both characters are sympathetic and have depth and realistic married lives. They grapple with the moral questions thrown up by police work, and the little, or not so little, complication of being attracted to each other. I particularly like Urs, the character of Giuliana’s husband, who is a freelance journalist, working all hours and keeping the home fires burning. Nice to come across a male character in this role.

Swiss noir

The murders are brutal and gruesome as murders inevitably are but the violence is not the focus, nor is it there in any way to titillate – something that puts me off a lot of crime fiction, especially with female victims and sadistic killers. Kim writes the kinds of murders that could happen to people you know, involving murderers you might meet in the corner shop or a Dorffest (village festival).  

Kim has a flair for dramatizing the investigation in a really interesting and human way, building momentum, unravelling all the knots, as her heroes doggedly search for the truth, and hopefully justice.

The suspense-filled stories take place in a Switzerland I recognise, an ordinary, gritty, diverse, and complicated place with secrets beneath the surface. The settings are pleasingly far from the clichés of bankers and Alps.

Double murder

Pesticide. No flowers were harmed in the taking of this picture.

Here’s what you need to know about the opening action of Pesticide …

When a rave on a hot summer night in Bern erupts into violent riots, a young man is found the next morning bludgeoned to death with a policeman’s club. Giuliana Linder is assigned to the case. That same day, an elderly organic farmer turns up dead and drenched with pesticide. An unexpected discovery ties the two victims together.  

If you want to order the book, you can find it in the usual online places. For Swiss deliveries I recommend Books Books Books in Lausanne or Stauffacher / Orell Füssli. The book is in the system so you should be able to order it anywhere in the US or Switzerland. Published by Seventh Street Books and distributed by Simon & Schuster.

To find out more about Kim Hays, check out her website and blog or read this interview on the Cosy Dragon website. I’ve known Kim since 2016 when I sat beside her at a writing workshop in the Geneva Writers’ Group and we got on like a house on fire.

Summer reads

A little more about my summer reads, which also fall into the category of liking the author before discovering their work. I am just about to start Mother’s Boy by Patrick Gale about the life of the enigmatic British WW2 poet Charles Causley. Before that I read the wonderful Edith by Martina Devlin about the life of Edith Somerville around the time of the Irish War of Independence. I keep finding treasures in this booming genre of historical biofiction.

I have another book on the go about real-life conflict but I’m working through it slowly. It’s much harder to read because it’s set in (recent) present-day Ukraine and it brings the reader straight into the horror of what Russia has perpetrated there. The Orphanage by Serhiy Zhadan is visceral, depressing, eye-opening, staggering. If you think that’s too much to take, Andrey Kurkov’s Grey Bees is a gentler version of blighted lives in the occupied zones, more sweetly devastating but still hard hitting.

Finally, Voting Day was mentioned on this list of summer reads put together by Isabel Costello on her literarysofa blog, which I’ve been following for years. She found my novella “very moving and beautifully written”. I still can’t believe it when I get a reaction like this. Feeling very grateful.

You’re bound to find some reading inspiration on the list. Lest I forget, Isabel Costello’s highly enjoyable new novel Scent is the quintessential summer read, set between Provence and Paris. A heady summer affair from her youth comes to the surface for Clementine in a disturbing way just at the moment when her own marriage seems to be grinding to a painful, empty halt. Clementine is a successful perfumer with her own shop but the time has come to confront the façades in her life.

Happy summer reading, folks! Do report back if you pick up any of these titles.

Making a better world, fuelled by friendship

They say you shouldn’t meet your heroes but I can assure you that you are safe with Ece Temelkuran. When I heard the celebrated Turkish writer was coming to speak in my back yard – not literally, the event was about ninety minutes’ drive away – I knew I had to be there.

Temelkuran took part in the Bibliotopia festival on May 15, hosted by the Jan Michalski Foundation in the beautiful setting of Montricher in the foothills of the Jura mountains. The Bibliotopia programme is in French and English with simultaneous translation. It’s a great place to discover international voices.

Temelkuran played a prominent role in public life as a critic of the Erdogan regime until it was no longer safe for her to stay in Turkey. In her 2019 book How to Lose a Country: The Seven Steps from Democracy to Dictatorship, she passes on her hard-earned wisdom as a dissident who experienced first-hand the slide towards right-wing authoritarianism. I found the book fascinating and reviewed it for the Dublin Review of Books.

Having listened to the author yesterday speaking about her new book, I have high expectations for my newly-purchased copy. Entitled Together: A Manifesto Against the Heartless World, the book offers a roadmap to a better present and future. She gives us 10 guiding principles and each one is a choice, such as ‘choose dignity over pride’ and ‘choose strength over power’.

I was very interested in what Temelkuran had to say about friendship, which she considers the best medium to redefine our political connections. “Citizenship is not working, political party membership is not working, comradeship is not really working – it sounds so retro now. So how about we become friends?”

There is a chapter in Together about the unique role that friendship, with its lack of hierarchy, obligation, duty or power dynamic could play. It is the only type of relationship where, as Temelkuran says, absolute justice can be found.

“When friendship has a solid foundation that allows it to mature, friends and conversations with friends eventually become the gravitational force in one’s life. Friendship is the most profound confirmation of the individual as a human being. It is the confirmation that you are able to see the beauty in humankind and the ultimate recognition of the fact that you are, as well, human.”

She goes on to talk about enlarging this kind of “warm regard” to the scale of humanity. Just to give you a little bit more …

“What stands at the core of such wide-scale friendship is not sentimental love but a moral stance; a commitment to acquire and maintain a certain perspective on life and humankind.”

Living in a time where the word friend has been stripped of much of its meaning by social media, I find this exploration of the theme of friendship really important and encouraging. I will read more and report back. Or you could start reading Temelkuran yourselves.

Temelkuran spoke about a lot of other things, ably interviewed by Patrick Vallélian of Sept Info. She said that representative democracy had failed in its fundamental promise which was equality. This has left it hollowed out and vulnerable to right-wing populism. When there is no social justice, it is easy for a ruthless leader to come along and exploit the system, manipulating people into making choices against their own interests.

When asked to describe Russia’s invasion of Ukraine, she used the words tragic, absurd, incomprehensible and frightening. However, she cautioned against demonising the Russian people, who, she says, should not be equated with Putin.

Temelkuran wrote Together because, “I wanted to heal my politics and my faith in people.” Here’s hoping that her message of faith and courage will travel far.  

Three words for Voting Day on publication day

Voting Day in its natural habitat

If I could describe Voting Day in one word, it would be dignity. That’s what each of my characters has in common, despite all the limitations and frustrations they face. Not that I set out with this theme in mind but this is what Vreni, Margrit, Esther and Beatrice brought to the story.

I only came to this realisation when I had to answer the question in this interview for Fairlight Books. You can also read an extract from the book at the end of the interview. The other two words that sum up the novel are solidarity and hope.

Today, April 1 2022, is publication day for Voting Day with Fairlight Books in the UK, the US, Ireland and beyond. I am over the moon that the novel is going to find new readers outside Switzerland. Though it is a quintessentially Swiss story, the dignity of oppressed women and solidarity between them is a universal phenomenon. As is hope for a better life.

I’d like to share links to some of the reviews I’ve seen so far for the book. This lovely review by Anne Goodwin includes a bonus piece of flash fiction inspired by Voting Day. Anne writes: “Clare O’Dea’s fiction debut is one to savour, with beautiful language and convincing characterisation.”

This one by Craig Smith for the Mechanics’ Institute Review is pretty amazing too: “Each tale is beautifully told by first time author, Clare O’Dea, who skilfully depicts the character of each woman and spins the connections between them into a compelling, coherent narrative.” 

And you might be interested in this opinion piece I wrote for The Local Switzerland about the Swiss response to Ukrainian refugees (there may be a paywall, not always). As the horror of the war drags on in Ukraine, I admire the dignity of the Ukrainian people and I hope for a swift and just end to their ordeal.

To find out about the inspiration behind Voting Day, check out this essay I wrote for the Women Writers website. I’m going to steal the closing paragraphs of that essay for today’s post.

“When I covered historical injustices in the care system as a journalist, I felt deeply sorry for the survivors. Even in the less severe cases, where ‘nothing bad’ happened, there was the pain of being looked down upon, of growing up without love or protection. I ended up writing about one such child in Voting Day.

By the time I sat down to write, I felt familiar with the life and times of my characters. I knew what their homes looked like inside, what they ate, how they spoke and what their worries were. I was also able to borrow from the traces of the past that are still visible today.

It has taken almost two decades of living in Switzerland to bring me close enough to inhabit Swiss characters. Once I set the story in motion, I only had to follow and see what they would reveal. What have I learned? How difficult it is for us as humans to truly see and accept each other. How easy it is to make a difference when we do.”

Many thanks to the team at Fairlight Books for believing in my book and giving it wings, especially to Laura Shanahan, Daniela Ferrante, Sarah Shaw and Louise Boland. And congratulations to my Fairlight Moderns twin Polis Loizou whose fantastic novel A Good Year, set in Cyprus in 1925, is also published today.

Ps. If you’re in Dublin on April 21st, come along to Hodges Figgis at 6pm for the launch of Voting Day with Anne Griffin!