The desolation of domestic life

2014-12-21 12.06.59

It’s ok, I’m not talking about my own domestic woes. I’ve just been reading The Springs of Affection by Maeve Brennan, a collection of short stories set in Dublin and written between the 1950s and 1970s when Brennan lived in New York.

In between stories I started the wonderful Academy Street by Mary Costello, in which the main character Tess lives in New York through that same period and beyond. I lived under the melancholy spell of that book for three days, snatching it greedily back up at every opportunity. Academy Street gives the illusion of moving slowly without much drama but before you know it you have been through Tess’s entire life, a patchwork of tragedy, transient love and inertia.

For more on Academy Street I would recommend this fabulous review by fellow blogger and author Anne Goodwin, whose first novel, Sugar and Snails, was published last July.

Tess, with her emotionally debilitating upbringing and tragic lack of self-belief, could be a character from one of Brennan’s stories. But while Brennan reproduced on paper the “petty social intricacies of the city she had left”, she was living the high life in New York, working as a columnist for The New Yorker and enjoying the kind of success and freedom most girls of those times only dreamed about.

After a disastrous marriage, Brennan had a breakdown and her illustrious career – and her life – fell apart. She spent the last fifteen years of her life plagued by alcoholism and mental illness, homeless at times, and died forgotten and penniless in 1993.

Some of Brennan’s characters appear in several of her stories and a lot of the action takes place in one particular house in a suburban street on the city’s south side, in Ranelagh to be exact. This is the house where Brennan grew up, where her family went through precarious times while her father was on the run during the Civil War. In the new Free State, he was on the winning side and the family moved to Washington when he was appointed Ireland’s envoy the United States. Maeve Brennan never moved back.

There is a play, Maeve’s House, based on Brennan’s life which I wish I had seen. It was commissioned by the Abbey Theatre in Dublin and was also staged in New York in 2013. The play owes its existence to an amazing coincidence: the actor performing the one-man show also lived in the house were Brennan grew up. Eamon Morrissey’s family bought the house in Ranelagh from Brennan’s parents when they moved to the US.

Morrissey was surprised to discover in one of her stories an exact description of his childhood home and he contacted her at the magazine; they arranged to meet in New York.
Here’s a review of the New York show.

To get back to the stories. Some are gently moving while others are steeped in despair, portraits of people trapped in prisons of their own making. The title story The Springs of Affection (1972) is the longest in the book and it features one of the most vividly drawn and unlikable characters I have ever come across.

Her name is Min and she is the last surviving member of her family. A seamstress by trade, Min has lived a life of unrealised dreams, defined by envy and spite, but she finds herself on top in the end, triumphant in her longevity.

“Min sat beside her own gas fire in her own flat in Wexford and considered life and crime and punishment according to the laws of arithmetic. She counted up and down the years, and added and subtracted the questions and answers, and found that she came out with a very tidy balance in her favour.”

Min’s brother Martin and his wife Delia are described with scathing disapproval by Min in her recollections. We meet the couple in several of the other stories, notably in The Twelfth Wedding Anniversary (first published in The New Yorker in 1966), where their domestic misery is writ large. When Martin returns home late after ignoring their anniversary, he finds refuge in his family’s slumber.

“… If this night could only last a week, or two weeks, I might have time to get everything straightened out in my head, and then I would know what to do … If they would only sleep happily like that for a long time, he might find himself able to think again. But the coming of day, a few hours off, rose up in his mind like a towering wave that was all the more awful because it would be succeeded after twenty-four hours by another wave, and then another. There was no end to the days ahead, and the ones furthest off, years from now, were gathering power while he stood waiting on the landing. It was a merciless prospect. There was no way out of this house, which now seemed to contain all of his future as well as a good part of his past.”

Oh the unhappiness!

Good things come in twos

My idea of heaven
My idea of heaven

I did say I wouldn’t post again until the novel was finished and I meant it. It’s been a long summer of some discontent, a lot of hard work, and a gradual brightening of the light at the end of the tunnel.

And now I’m here, out the other side. Still reluctant to use the word ‘finished’ in the same sentence as my novel, what I can say is that I have completed the most difficult draft so far. Thanks to wonderful challenging feedback from kind and generous readers, I hope I’ve managed to fix some of the weaknesses that were bogging down this manuscript.

The other good thing I discovered first thing this morning is that my blog has been shortlisted for the Irish Blog Awards, Diaspora category. I’m thrilled to be included in this list and look forward to reading through the other blogs as soon as I finish work today. Thanks again to fellow exile Niall McArdle for nominating me and to the judges for overlooking the fact that I was on a break.

Without the distraction of blogging for the past two months, I have been able to write every day and have harnessed the power of that rhythm.

A three-week holiday in Ireland also helped with the daily time-stealing challenge and the inspiration, as my book is set in Ireland. Anyone who was lucky enough to be in Ireland this summer will tell you that the weather was superb. I wanted the country to be at its best so that my Swiss family would experience the magic of an Irish summer. In fact I wanted them to be enchanted and to develop some of the feelings about the country that I have. For once the weather came up trumps.

The novel is back in the hands of two readers and I’m hoping that only small changes will be required from now on and that I will be able to declare September the month of submitting.

I’ll be posting soon again, about a fascinating meeting in Bern with award-winning Swiss-German writer Pedro Lenz and his Glaswegian translator Donal McLaughlin. Not only is McLaughlin from Glasgow (via Northern Ireland), he also writes in Glaswegian dialect. Can’t wait to review the result of this unique collaboration: Naw Much of a Talker.

Looking forward to connecting with everyone again and catching up with your summer stories.

It’s good to be back.

The smart thing to do

Goodbye Swiss winter, roll on the spring!
Goodbye Swiss winter, roll on the spring!

Is it generally the same type of person who thrives in society, regardless of the social or economic climate? Or are different qualities useful in different systems? I suspect you need to sell a little of your soul to get by anywhere.

I was listening to an ABC documentary recently about the history of adoption in Australia and it made me think (with a shudder) about the winners and the losers in a conservative society with zero tolerance of pregnancy outside marriage.

It was a time of limited opportunities for women when being a married at least guaranteed respect and opened the door to a celebrated occupation – married motherhood. So if you were smart you conformed.

A bit like joining the Communist Party in the Soviet Union.

John McGahern’s memoir of growing up in mid-twentieth century Ireland, apart from being a wonderful book, is an excellent piece of social history. In it he illustrates some of the routes to respectability and a decent living, which required people to cling like limpets to the apparatus of the Church and State.

“The year was 1953. In the 1950s a half-a-million people emigrated from this small country, nearly all of them to Britain, far more than in any other decade in the entire century. These emigrants were young and poorly educated, for the most part, and ill prepared. … The men sold their physical strength, the women their willingness to work long hours.”

And the winners? As McGahern puts it, the State had become a theocracy in all but name.
“The Church controlled nearly all of education, the hospitals, the orphanages, the juvenile prison systems, the parish halls. Church and State worked hand in hand.”

McGahern was offered a place at St Patrick’s teacher training college, full board and tuition paid with guaranteed employment at the end. Needless to say, he accepted it at once. His books were later banned in Ireland and he was dismissed from his teaching job but at this early stage in his life, McGahern had to conform and take what was available.

During the economic boom, those hard old days seemed as real and relevant as a dated movie. Post 2008, the Celtic Tiger is looking pretty dated and unreal too. What was normal then seems unbelievable now.

But even the boom had its losers at the time, lest we forget. There were many who just plodded along looking bewildered during those years. Priced out of the areas they grew up in, paying exorbitant rents to live in flatland, they were there. And something was holding them back.

They were unwilling or unable to follow the new rules. Rule 1: Get on the property ladder. Rule 2: Enjoy your disposable income. If you were smart, you conformed.

How people interact with the rules that surround them is great fodder for fiction. When I sat down to write my novel, it was set at just this time in Ireland’s recent past. And the people I feature and favour in the novel are mainly those who did not naturally flourish in the new climate of prosperity.

Do you ever think about what rules operate in society? And if so, have you played by them to get to where you are today?

Regrets, I’ve had a few

suit

One of the highlights of English class in secondary school for me was being introduced to short stories. One that I remember vividly is Brendan Behan’s The Confirmation Suit, a story about regret that beautifully illustrates the dilemma of being caught in a social bind. When reading this story, most of us were fresh from doing our own Confirmation (a coming-of-age ritual in the Catholic Church in which a lot of importance was placed on the new outfit bought for the occasion). Behan couldn’t have found a more receptive audience (albeit posthumously) for this iconic Irish story.

The boy in Brendan Behan’s story was obliged to accept a kindly neighbour’s offer to make a suit for him for the big day. An elderly seamstress who normally made funeral habits, Miss McCann was not blessed with a great sense of fashion and the writer gets great comic mileage out of the child’s embarrassment and his father’s amusement at his predicament. This must be why the unexpected sad turn of events produces such a memorable punch.

This description comes half-way through the story:

When I made my first Communion, my grandmother dug deep under the mattress, and myself and Aunt Jack were sent round expensive shops, I came back with a rig that would take the sight of your eye. This time however, Miss McCann said there wasn’t much stirring in the habit line on account of the mild winter, and she would be delighted to make the suit if Aunt Jack would get the material. I nearly wept, for terror of what the old women would have me got up in, but I had to let on to be delighted, Miss McCann was so set on it. She asked Aunt Jack did she remember father’s Confirmation suit. He did. He said he would never forget it. They sent him out in a velvet suit, of plum colour, with a lace collar. My blood ran cold when he told me.

The stuff they got for my suit was blue serge, and that was not so bad. They got as far as the pants, and that passed off very civil. You can’t do much to a boy’s pants, one pair is like the next, though I had to ask them not to trouble themselves putting three little buttons on either side of the legs. The waistcoat was all right, and anyway the coat would cover it. The coat itself, that was where Aughrim was lost.

I’ve just finished reading Big Brother by Lionel Shriver and it wasn’t until I finished the book that I realised how personal the story was to the writer. She wrote the novel after her older brother died of obesity-related illness. Shortly before he died, when it seemed he might recover, Shriver considered taking him. She enquired about bariatric surgery at the hospital where he was being treated and even imagined bringing him home to recover in her house in New York. In the end her goodwill was never tested because her brother took a turn for the worse and died.

But Shriver went on to write a story about a woman who gives up her home and marriage to move in with her morbidly obese older brother to help him lose weight. The book is steeped in regret and raises that difficult question that often arises after the death of loved one: could I have done more?

In the story I have written, the main character has always had strong motherly feelings towards her younger brother and she feels enduring grief at his disappearance, for which she partly blames herself. In that sense it is about regret but later it explores the problem of how far it is possible to save another person bent on self-destruction.

I’ll leave you with the image of Behan’s boy standing in the rain wearing that silly suit. It encapsulates what is tragic about the end of childhood – the loss of innocence, the feeling of being misunderstood, the first taste of regret.

I needn’t have worried about the suit lasting forever. Miss McCann didn’t. The next winter was not so mild, and she was whipped before the year was out. At her wake people said how she was in a habit of her own making, and my father said she would look queer in anything else, seeing as she supplied the dead of the whole quarter for forty years, without one complaint from a customer.

At the funeral, I left my topcoat in the carriage and got out and walked in the spills of rain after her coffin. People said I would get my end, but I went on till we reached the graveside, and I stood in my Confirmation suit drenched to the skin. I thought this was the least I could do.

Ireland – far away, up close

Time to say goodbye
Time to say goodbye

Some things, like impressionist paintings, are only clear when you take a step back. Not having lived in Ireland for a decade there are certain things I am seeing with fresh eyes. As I near the end of a four-month sabbatical in Dublin and contemplate the return to my life in Switzerland, it’s a good moment to cast an objective eye on the homeland.

Cold comfort: I now understand why we like to live in terraced houes, in the city at least. Huddling together, as penguins know, is the best way to keep warm. I’m not entirely joking when I say that the only thing keeping me here right now is my electric blanket.

Irish houses have chronic insulation issues and heating – what time you turn it on, how big your bills are, how useless storage heaters are – is a big topic of conversation. This issue should be the central plank of any political party manifesto. I think the political leader who makes our homes affordably warm is destined to win the affection of the nation.

Gale force: A note from the second windiest country in Europe (after Scotland). The wind is wreaking untold devastation on the hairstyles of Ireland, a problem that does not get the recognition it deserves. You could have your hair set in iron cladding and it would still get blown to bits. If there was some way we could marry the wind resource with the home heating gap we would be set up for life. Anyone, anyone?

Comfort eating: You have to have something with those endless cups of tea. The Irish are the biggest chocolate, cake and biscuit munchers in Europe and the selection of crisps is second to none. Yes there may be public health implications but it is also worth celebrating the sheer wealth of delicious treats available.

Storytelling: I don’t think Irish people live more dramatic lives but they certainly have the ability to turn life experiences into good stories. This comes across a lot on radio – I’ve often been stopped in my tracks by the voices of people recounting something powerful. Amongst my own friends and family I’ve had evenings here where story after story is told which could provide the plots for several novels. Speaking of which, I’ve lost count of the number of people I’ve met who are writing novels. The competition is going to be stiff!

Rule bending: Travelling with three children on the bus every day I have experienced plenty of instances of friendliness and kindness from bus drivers which never ceases to amaze me. There have been other situations where the ability to apply common sense or compassion over the rules has made life easier for me. It’s not something you come across as often in Switzerland.

The next twelve days will be all about letting go and saying goodbye again. But that’s OK. The trip has gone really well overall and I think I can say I found what I was looking for.

Getting away from it all

New horizon, old horizon
New horizon, old horizon

There are the restless years. The years of trying out jobs, hairstyles, places to live. That era of cycling home with your shopping bags swinging from the handlebars and spending everything you earn. You get caught in the rain, you never have a decent coat and you laugh a lot.

When you are living lightly, unencumbered by pots or pans, children or a hard-to-replace job, changing location is as simple as walking away. You don’t own anything you can’t carry, you don’t owe anyone anything. You book your flight and you go.

Then before you realise what has happened, the landscape of your life has changed. It takes a team of men a full day to move the furniture you have accumulated. You actually read through the quarterly statement from your pension plan. Gardening magazines find their way into your home and you become concerned about booking holidays early.

Middle age. There’s no getting away from it, that gradual drift towards Sofa, the god of comfort and inertia. Or is there?

One of the great things about my sabbatical visit to Ireland (now three-quarters over, tick tock!) is that feeling of having defied the pull of middle age just a little. Packing up and setting off for new horizons was a part of my life I thought I would never have back again, or at least not until my children were raised. But it has come to pass, and this time, after a decade abroad, I have returned to the original horizon of my youth, Dublin Bay – and it feels good.

Has anyone else found a way to feel free again? I’d love to hear about it.

Once upon a time in Westport House

Westport House
Westport House

Once upon a time I went to Westport House. I know this not from any particular memory but because there is a photograph from that day and it was a holiday that was later much spoken about. My mother wore a scarf on her head and a long skirt. I was one of three little girls, content in a world that did not extend very far beyond our family unit at that happy time.

The real event of the holiday was the death of Elvis Presley.

The sad news sparked an impromptu sing song in the hotel where we were staying. I remember the children being left to their own devices that night as the adults all descended on the bar to sing song after emotional song.

The other drama of the holiday was an afternoon at the beach when we became stranded by the incoming tide. We had had a picnic on some sort of grassy hillock and to get back to the car my father had to carry the two eldest children on his shoulders through the surging sea. My mother saved the baby and the picnic basket.

That little rescue scene is one of my happiest childhood memories. It comes from a time when our parents could protect us from anything and we liked nothing more than just being together.

By chance, or perhaps by some subconscious design, this week I found myself in Westport House again, thirty six years since the last visit. Our three little girls are now very close in age to the three little girls of 1977. And yes, we took a photograph on the steps of the house.

The stately home of the Marquess and Marchioness of Sligo now has a Pirate’s Park in the grounds, amusement rides and a mini train. But the house is as beautiful as ever and the sun obliged by coming out just before we left for this picture.

Switching the novel to sustainable energy

(M1energysolutions.com)
(M1energysolutions.com)
You know that feeling when you just make it to a socket at the last moment before your laptop dies? That’s how I felt crossing the threshold of the Irish Writers’ Centre on Monday. It’s going to be OK.

This novel that provided its own fuel for the first year has been draining me since then and needs to be switched to sustainable energy. What better source than the positive energy of fellow writers? I want to get the manuscript into the best possible shape and send it on its way to make room for the next book. This course is the boost I’ve been looking for.

Somewhat dishevelled from the blustery walk up O’Connell Street, I held my paper cup of tea and looked around in excitement and wonder. These people, I realised, are just like me and finally we have come out of the woodwork. We’ve been squirrelling away words for months or years, storing up the stories we want to tell. Now is our chance.

I had the experience of reading out the opening of the book to a group for the first time and it went well. My relationship to the work is different now that it’s been exposed a little. That feeling of working in a vacuum is gone and I can see more clearly now what needs to be done. The feedback was encouraging and useful, under the kind and expert guidance of Conor Kostick.

Even though I didn’t have to use my one-line pitch last night, here is what I have come with. I realise I have two lines here but surely the concept is not that literal? It’s also possible that I have veered towards writing the blurb rather than the pitch. Do they necessarily have to differ?

Set in boom-time Ireland, this is a story about people, what they bring to our lives and what they take away. Haunted by the disappearance of her brother years before, when Laura is caught up in an emotional and professional disaster, she has to find new faith in family, friendship and love.

I may have to go back to the drawing board on this one.

Climb every mountain, or not

In a fit of irrational exuberance just before I left Switzerland I booked tickets for three events at the Dun Laoghaire book festival Mountains to Sea. I took one look at the line-up and lost the plot, so to speak. Margaret Atwood (exclamation mark, exclamation mark), I cried. Téa Obreht (exclamation mark, exclamation mark), I added breathlessly. Oh and look Jennifer Johnston at lunchtime (click on two more tickets).

A while later back in Dun Laoghaire and real life, it quickly became apparent that I couldn’t spend week two of my big trip to Ireland waltzing from literary event to literary event. There were other things to consider, not least of which was settling the children into their new school and temporary new home.

In the end all I can boast is that these writers I admire were just down the road from me, a mere eight-minute cycle or 24-minute walk away.

But every bookshelf has a silver lining. On Saturday afternoon, miraculously and unexpectedly, I did manage to attend a festival talk called New Voices – with my three year old. We had to hop in and out of the room a bit to keep the peace but I came home motivated and encouraged, mainly by the contributions of Sarah Moore Fitzgerald, author of Back to Blackbrick, and agent Caroline Walsh from David Higham Associates. My daughter was equally happy with her blue Mountains to Sea balloon.

It’s the first time I’ve heard a real live agent speak and it was reassuring to see that she was no big bad wolf. What struck me about Walsh’s submission advice was that it was all familiar. There is no secret formula for getting published. Agents are just looking for good work and a professional attitude. Walsh’s agency gets 60 submissions a week and they take on 12 new authors a year! Anyone who goes up against those odds has to be an optimist.

Moore Fitzgerald spoke about self-belief and how to hang on to it. A successful academic, what put her off writing fiction for so long was the perceived impossibility of the challenge. She warned against sharing too soon and reminded the audience that ragged first drafts are not meant to be compared to award-winning published works.

Next Monday I will be making my way to the Irish Writers’ Centre in Dublin city centre to start the Finish Your Novel writing course. By hook or by crook I will have my one-line killer pitch ready by then!

The great sea escape

Ever-changing story
Ever-changing story

Since I arrived back to live temporarily in Dublin I can’t get enough of the sea and its show-stopping other half, the sky. We are all products of our environment no matter where we come from and that makes me a coastal person. There’s a feeling of being on the edge of something vast and mysterious. The sea is an ever-changing story – welcoming one day and threatening the next.

Gazing out over the sparkling waves again, I am struck by how inaccurate the term insular is. On an island you are always looking out, not in. You are confronted with the limits of your existence, exposed to the beauty and cruelty of nature. You cannot help but dream about the world beyond the horizon.

The sea is a powerful presence. It calls us back when we go away. One day maybe we’ll find out what it has to tell us.